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This week on Hide and Create Joshua Essoe, Moses Siregar, Jordan Ellinger, and Diana Rowland debate resonance.

Resonance isn’t discussed much, in fact, the only author and instructor I’ve really heard discuss resonance as a writing technique is David Farland. And it can be a powerful tool. Not to be confused with plagiarism, it is catering to your audience by giving them things they’re familiar with in order to ease them into the impossibilities in your own stories.

It may sound a little hard to grasp, even a little wackadoodle, but listen on and all will become clear.

This week on Hide and Create, Moses Siregar, Jordan Ellinger, Diana Rowland and Joshua Essoe talk about making your villain a protagonist.

If you’re like me you love a good bad guy. But why do you love them? What makes them characters you can connect with, enjoy reading about, and actually like? How can you have the bad guy do something terrible without losing the hearts of your readers?

Listen on, intrepid subscribers, and we shall reveal all. Well . . . twenty minutes of all, anyway.

This week on Hide and Create, Diana Rowland, Jordan Ellinger, Moses Siregar and Joshua Essoe talk about the Writers of the Future short story competition.

Entering the competition can be a nerve-wracking experience, but those crazy days of repeatedly checking for results can lead to some very strong affirmation. The third story I entered got an Honorable Mention, and after I got over the moment of disappointment that I didn’t win the Gold Award that year, I was thrilled. I was on the right track. I was in the top ten percentile. And I knew that with a few tweaks, my story could be publishable.

So this week you can learn some hints and tips for placing, how you can win without even entering the quarter, and what the workshop for the winners is like. We also touch on the sticky issues of scientology and why you shouldn’t hate Diana for winning with her first entry (it’s hard, but try).

This week on Hide and Create Jordan Ellinger, Joshua Essoe, Diana Rowland, and Moses Siregar discuss writing a character of the opposite sex. Jordan talks about the “man with boobs” cliché, while Diana discusses how her background in law enforcement prepared her for writing male characters. Moses shares his thoughts on how he developed the female protagonist of his novel The Black God’s War. Finally, Joshua offers pointers on how to avoid mistakes he sometimes spots in his clients’ work.

This week on Hide and Create Joshua Essoe, Diana Rowland, Jordan Ellinger and Moses Siregar give you a roadmap for how to navigate the confusing world of writing conventions. Discussion ranges from how to act on a panel to whether or not you should cosplay, as well as how to avoid a few common pitfalls.

In addition to covering etiquette, “bar con” and the green room, we share a few convention horror stories.

Have a question that wasn’t covered in the podcast? Leave it in the comments and it could be answered on a future show!

This week on Hide and Create Diana Rowland, Joshua Essoe, Moses Siregar, and Jordan Ellinger discuss workshops for writers. We cover everything from Writing Superstars to the Clarions, and Writers of the Future. Mainly, we focus on the different types of workshops (those geared to improve your writing vs those designed to teach you the business of writing), and share a few stories about our own workshop experiences.

For Joshua’s list of recommended reading material click here.

This week on Hide and Create, Moses Siregar, Jordan Ellinger, Diana Rowland and Joshua Essoe continue the discussion with Moses on previous subjects: writing methods, writing environments, and self-promotion.

Moses shares some valuable insights on his experience with indie publishing his novel The Black God’s War, and talks about developing the setting for his latest novella “The Children of Wood and Wind”. Diana and Jordan debate how detailed you should make your settings, while Joshua expands on creating the perfect writing environment.

This week on Hide and Create, Moses Siregar, Jordan Ellinger, Diana Rowland and Joshua Essoe discuss a new take and offer more insight on our previous subjects: writing methods, dirty little writing secrets, writing environments, self-promotion, and settings.

If you loved our previous shows, you’ll love this one even more because in part one we talk about a couple previous episode topics, allowing Moses to get his two-cents in. Or three or four cents in.

 

This week on Hide and Create Moses Siregar, Diana Rowland, Jordan Ellinger and Joshua Essoe discuss the differences between writing a short story and writing a novel.

The old advice was to train yourself writing short fiction, then graduate to novel-length works. The short fiction market was an easier sell, you could cut your teeth in publishing doing that while you worked up to your magnum opus.

That’s no so true anymore. Short story markets have decline greatly in the last couple decades, and the ones that are left are overwhelmed with submissions for their limited space. Just like novel publishers.

So what’s the advantage of writing short? Why not just write long? There’s more money in it and it’s no more difficult, right?

I advise all writers to learn how to write short. It will teach you brevity and will teach you power. You can practice technique, voice, theme and genre, try them all out and find what’s right for you. You can finish, submit, get feedback, sell, and do it rapidly, and start building up deposits in the “Maybe I Can Do This” bank. It is wonderful training, not for writing novels, but for being a writer.

This week on Hide and Create Jordan Ellinger, Diana Rowland, Joshua Essoe and Moses Siregar discuss how to shift into writing full time.

In 2010 when I decided to be a full-time editor, I had studied my market for months. I spoke with professionals in that field, I educated myself, I created a business plan, I set goals for my business and then I jumped in head-first. And you know what? It worked.

You have to be in the right head space to make a career in the creative fields work. You must be willing to treat it like a regular job and be able to mind yourself when you tell yourself to get to work. Self-employment is a completely different mindset and takes a lot of self-motivation.

Be prepared. Here there be dragons — let us help you keep them all on the page.