This week on Hide and Create, Jordan Ellinger, Moses Siregar, Joshua Essoe, and Diana Rowland talk about who influenced their writing and why, but also about some of today’s influential writers.
What book did you read, or movie did you see, that sparked the fire of desire to indite your stories and burn them into your readers’ minds? (Note: don’t write like that — see? Multitasking.) Everybody has someone or something that helped shape their style and tone and voice as a writer. What are yours?
This week on Hide and Create, Moses Siregar, Joshua Essoe, Jordan Ellinger and Diana Rowland talk rejection!
If you’re in this business, if you’re in any creative business, you’re going to get rejected. It’s just going to happen, so you’ve gotta set your stiff upper lip, put on your big boy or your big girl pants and pull those suckers up because it is a bumpy ride. But you know what? It doesn’t matter. Those rejections are marks in your ledger, and each mark in there brings you closer and closer to your success. If you don’t have any rejections you’re not trying hard enough. So get out there and get rejected!
Today on Hide and Create Jordan Ellinger, Moses Siregar, Diana Rowland and Joshua Essoe talk about inspiration.
Can you write while you’re not inspired? Some say writing is a job and you don’t have to be inspired to do it. You just do it. Because you have to. Some things in this writing life don’t need inspiration — if you can’t find your voice or can’t get the words flowing, you can edit, you can promote, you can work on a blog piece. There is always something to do.
But where does inspiration come from when you need it? Where can you find that spark to light the fire of your creativity?
Do me a favor. Next time you go out, keep your eyes open. Cast out your idea-net and go trawling. I guarantee that if you pay attention you’ll see or hear or taste things that will inspire plots, characters and wonderful, specific details.
This week on Hide and Create, Diana Rowland, Moses Siregar, Joshua Essoe and Jordan Ellinger discuss Mary Sues and Marty Stus.
Who are these super awesome people? Why, they’re you! They’re the best. We all love them. A little too much. They can do everything! In fact it kind of bugs me how perfect they are. It probably bugs you too.
Here are some tips to tone those characters down, and how to use this technique for the forces of good instead of evil.
This week on Hide and Create, Moses Siregar, Jordan Ellinger, Diana Rowland and Joshua Essoe discuss a new take and offer more insight on our previous subjects: writing methods, dirty little writing secrets, writing environments, self-promotion, and settings.
If you loved our previous shows, you’ll love this one even more because in part one we talk about a couple previous episode topics, allowing Moses to get his two-cents in. Or three or four cents in.
This week on Hide and Create Moses Siregar, Diana Rowland, Jordan Ellinger and Joshua Essoe discuss the differences between writing a short story and writing a novel.
The old advice was to train yourself writing short fiction, then graduate to novel-length works. The short fiction market was an easier sell, you could cut your teeth in publishing doing that while you worked up to your magnum opus.
That’s no so true anymore. Short story markets have decline greatly in the last couple decades, and the ones that are left are overwhelmed with submissions for their limited space. Just like novel publishers.
So what’s the advantage of writing short? Why not just write long? There’s more money in it and it’s no more difficult, right?
I advise all writers to learn how to write short. It will teach you brevity and will teach you power. You can practice technique, voice, theme and genre, try them all out and find what’s right for you. You can finish, submit, get feedback, sell, and do it rapidly, and start building up deposits in the “Maybe I Can Do This” bank. It is wonderful training, not for writing novels, but for being a writer.