We’re back! Technical difficulties (gorillas and alligators) aside, and best forgotten about.
This week we have something different, and special for you. I was asked to moderate and speak on a panel titled “The Importance of an Editor” on Feb. 7th at the Superstars Writing Seminar held by Kevin J. Anderson, Rebecca Moesta, David Farland, Eric Flint, Brandon Sanderson, and most recently joined by James A. Owen.
It is the most comprehensive seminar for writers about the business of writing available, held every year in Colorado Springs. Jordan, Moses, and I are all alumni, and I can’t recommend it highly enough. The information and the access to New York Times best-selling authors and guest speakers can create contacts and ins into the business that are hard to duplicate.
Next year Hugh Howey and Baen editor n’ chief, Toni Weisskopf, will join the crew as guest speakers.
This week on Hide and Create Joshua Essoe catches up with David Dalglish about publishing with both Orbit and 47North, co-authoring a series, and the differences between publishing traditionally and independently.
Part five (of six) of our series of episodes where we interview the hosts (present and past) of Hide and Create.
Also, Joshua will be moderating a panel on editing at Superstars Writing Seminar next month. There is still time to sign up! If you’re going to one seminar this year, this should be the one: http://superstarswriting.com/
This week on Hide and Create, Joshua Essoe, Jordan Ellinger, Jaye Wells, and Moses Siregar talk about why the path they took into publishing is the best.
When you decide to get become writer you should definitely start with tie-in writing. Or when you hit the path toward a professional writing career, the best way to begin is to go through a traditional publisher with your original novel. Perhaps, what I mean to say is, if you want to make a living as a pro-author you have to go indie, cause it’s the best. Well, actually, what most don’t know is if you really want to break into the publishing industry the absolute best way is to first become an editor and get your chops working on both your own and others’ work.
This week on Hide and Create, Diana Rowland, Jordan Ellinger, Moses Siregar and Joshua Essoe talk about making money as a traditionally published author, a tie-in author, an indie writer, and a freelance editor. You’ll hear about our expenses and our revenue streams–we left nothing on the table in this episode!
This week on Hide and Create, Joshua Essoe, Jordan Ellinger, Moses Siregar and Diana Rowland discuss the all-important, and absolutely necessary topic of self-editing.
Knowing how to edit your work is just as important as knowing how to write your work; especially as an indie writerauthor. Even if you plan to turn your manuscript over to a professional freelance editor, you’ve got to do the best job possible on your own before turning it over to your editor. Do your homework: learn your grammar and punctuation, and structure, and fix everything you can. Even be willing to kill your darlings if you need to. Use beta readers. The better the copy your editor receives, the better the quality and more useful the edits you will receive back, and often, the less money you’ll have to shell out.
This week on Hide and Create, Diana Rowland, Jordan Ellinger, Moses Siregar and Joshua Essoe talk about the Writers of the Future short story competition.
Entering the competition can be a nerve-wracking experience, but those crazy days of repeatedly checking for results can lead to some very strong affirmation. The third story I entered got an Honorable Mention, and after I got over the moment of disappointment that I didn’t win the Gold Award that year, I was thrilled. I was on the right track. I was in the top ten percentile. And I knew that with a few tweaks, my story could be publishable.
So this week you can learn some hints and tips for placing, how you can win without even entering the quarter, and what the workshop for the winners is like. We also touch on the sticky issues of scientology and why you shouldn’t hate Diana for winning with her first entry (it’s hard, but try).
This week on Hide and Create, Moses Siregar, Jordan Ellinger, Diana Rowland and Joshua Essoe discuss a new take and offer more insight on our previous subjects: writing methods, dirty little writing secrets, writing environments, self-promotion, and settings.
If you loved our previous shows, you’ll love this one even more because in part one we talk about a couple previous episode topics, allowing Moses to get his two-cents in. Or three or four cents in.
This week on Hide and Create Jordan Ellinger, Diana Rowland, Joshua Essoe and Moses Siregar discuss how to shift into writing full time.
In 2010 when I decided to be a full-time editor, I had studied my market for months. I spoke with professionals in that field, I educated myself, I created a business plan, I set goals for my business and then I jumped in head-first. And you know what? It worked.
You have to be in the right head space to make a career in the creative fields work. You must be willing to treat it like a regular job and be able to mind yourself when you tell yourself to get to work. Self-employment is a completely different mindset and takes a lot of self-motivation.
Be prepared. Here there be dragons — let us help you keep them all on the page.