This week on Hide and Create, Joshua Essoe, Diana Rowland, Moses Siregar, and Jordan Ellinger talk about beta readers. For some writers, beta readers are an integral part of the writing process. But how do you know what advice to take and what do ignore? Well the most obvious answer is that if you see […]
This week on Hide and Create, Joshua Essoe, Moses Siregar, Jordan Ellinger, and Diana Rowland talk about naming things in your stories. When it comes to naming characters or stories, trust your ear. In fact, it’s always a good idea to try your names aloud. Especially if you’re planning an audio book. What might look […]
This week on Hide and Create, Joshua Essoe, Jordan Ellinger, Jaye Wells, and Moses Siregar talk about why the path they took into publishing is the best. When you decide to get become writer you should definitely start with tie-in writing. Or when you hit the path toward a professional writing career, the best way […]
This week on Hide And Create, Moses Siregar, Joshua Essoe, Jordan Ellinger, and Jaye Wells talk about creating tension. Maybe it need not be said, but don’t use one of the tools we talked about in this episode, use a bunch of them and mash them together. Take a time-bomb, use short, punchy sentences, be […]
This week on Hide and Create Moses Siregar, Jaye Wells, Jordan Ellinger and Joshua Essoe continue last week’s discussion on the monomyth. Actually, we argue for a bit to finish up as we examine the trope of the Chosen One.
This week on Hide and Create Joshua Essoe, Jordan Ellinger, Moses Siregar and Jaye Wells start talking about the Hero’s Journey. The Hero’s Journey is a skeletal framework that should be fleshed out with the details and surprises of the individual story. The structure should not call attention to itself, nor should it be followed too precisely. […]
This week on Hide and Create, Moses Siregar, Joshua Essoe, Diana Rowland and Jordan Ellinger talk about ending your stories. The stronger you’ve emotionally invested your reader, the more impactful the ending will be. The more you make your readers feel your protagonist’s heroism, or pain, or both, the more effective your ending will be. […]